It is time for a FIRST Wild Card Tour book review! If you wish to join the FIRST blog alliance, just click the button. We are a group of reviewers who tour Christian books. A Wild Card post includes a brief bio of the author and a full chapter from each book toured. The reason it is called a FIRST Wild Card Tour is that you never know if the book will be fiction, non~fiction, for young, or for old...or for somewhere in between! Enjoy your free peek into the book!
You never know when I might play a wild card on you!
Today's Wild Card author is:
and the book:
Realms (May 5, 2009)
ABOUT THE AUTHOR:
Keith Clemens is a native of Southern California and graduate of English Literature at California State University, Fullerton. His passion for communication has resulted in the publication of more than a hundred articles. Today, in addition to writing, he appears on radio and television where he uses his communications skills to explain coming trends that will affect both the church and society at large. Clemens lives with his wife and daughter in Caledon, Ontario, Canada and has written five novels including Angel in the Alley and the award winning If I Should Die, These Little Ones, and Above The Stars.
Visit the author's website.
Product Details:
List Price: $13.99
Paperback
Publisher: Realms (May 5, 2009)
Language: English
ISBN-10: 1599795256
ISBN-13: 978-1599795256
MY REVIEW:
Mohamed’s Moon is the fourth book I’ve read recently that features a contrast between the Christian faith and that of Islam. I can’t help but believe that God is using the talents of authors like Keith Clemons to make plain a very important message: God’s Word is living, and it is sharper than any two-edged sword, a Word that changes hearts for all eternity. Mohamed’s Moon is a suspenseful tale of global proportions, but the personal conflict between Layla, Mohamed and Matthew is one that really reaches out and touches your heart.
I enjoyed this story and found it’s descriptive passages particularly intriguing. The inner conflict that took place in the lives of each of the main characters portrayed realistic emotions and a heartfelt examination of faith and belief in God despite unpleasant circumstances. I was especially pleased that the author clearly presented the gospel, then used the continued exposure to God’s Word to draw Mohamed’s heart toward the truth and to reveal the untruth of the Islamic teaching. Like all unbelievers, Mohamed’s struggle against Christ was great, but the power of God’s Word proved stronger than his unbelief.
I must be honest and tell you that the ending was a bit too idealistic to me. It was exciting, and given the plot details revealed at that point, it was logical. I wasn’t completely satisfied until I read the epilogue, because then I understood that the loose ends weren’t as neatly tied together as I first thought. Otherwise, this really was a good book with a very engaging storyline. What impressed me the most was that the author is trumpeting truth, and the message is more timely than ever. I happily recommend Mohamed’s Moon.
AND NOW...THE FIRST CHAPTER:
Sun sparkles on the Nile in flecks of gold, shimmering like the mask of Tutankhamen. The decaying wood boat—a felucca—is as ancient as the flow that passes beneath its hull, its sail a quilt-work of patches struggling to catch the wind. The craft creaks with the prodding of the rudder, bringing it about to tack across the current, cutting toward land with wind and water breaking against its bow. All along the shore a pattern emerges: villages sandwiched between checkerboard squares of cornfields, sugarcane, and cotton bolls. In the distance a barefoot girl herds sheep, goading them with a stick. At the sound of their bleating, a water buffalo foraging in the marsh lifts its head, causing the birds on its back to take flight. A dark-robed woman stoops to wash her dishes in the canal. Purple lilies clog the water in which a small boy also swims.
The cluster of yellow mud-brick homes erupts out of the ground like an accident of nature, a blemish marring the earth's smooth surface. There are fewer than a hundred, each composed of mud and straw—the same kind of brick the children of Israel made for their Egyptian taskmasters. Four thousand years later, little has changed.
Those living here are the poorest of the poor, indigent souls gathered from Egypt's overpopulated metropolitan centers and relocated to work small parcels of land as part of a government-sponsored program to stem the growth of poverty. It's the dearth that catches your eye, an abject sense of hopelessness that has sent most of the young men back into the cities to find work and thrust those who stayed behind into deeper and more odious schools of fundamentalist Islam.
... ...
Zainab crouched at the stove, holding back the black tarha that covered her hair. She reached down and shoveled a handful of dung into the arched opening, stoking the fire. The stove, like a giant clay egg cut in half, was set against the outside wall of the dwelling. She blew the smoldering tinder until it erupted into flame, fanning the fumes away from her watering eyes while lifting the hem of her black galabia as she stepped back, hoping to keep the smoke from saturating her freshly washed garment.
She had bathed and, in the custom of Saidi women, darkened her eyes and hennaed her hair just as Nefertiti once did, though it was hard to look beautiful draped in a shroud of black. She fingered her earrings and necklace, pleased at the way the glossy dark stones shone in the light. Mere baubles perhaps, but Khalaf had given them to her, so their value was intrinsic.
He had been away more than a month, attending school. She hadn't been able to talk to him, but at least his brother, Sayyid—she cringed, then checked herself—had been kind enough to send word that today would be a day of celebration. It had to mean Khalaf was coming home. She brought a hand up, feeling the scarf at the back of her head. She wanted him to see her with her hair down, her raven-dark tresses lustrous and full, but that would have to wait.
She went inside to prepare a meal of lettuce and tomatoes with chicken and a dish called molohaya made of greens served with rice. It was an extravagance. Most days they drank milk for breakfast and in the evening ate eggs or beans. She'd saved every extra piaster while her husband was away, walking fifteen miles in the hot Egyptian sun to sell half of the beans she'd grown just so they'd be able to dine on chicken tonight. Khalaf would be pleased.
She turned toward the door. A beam of yellow light streamed into the room, revealing specks of cosmic dust floating through the air. She brought her hands to her hips, nodding. Everything was ready. She'd swept the straw mat and the hard dirt floor. The few unfinished boards that composed the low table where they would recline were set with ceramic dishware and cups. Even the cushion of their only other piece of furniture, the long low bench that rested against the wall, had been taken outside and the dust beaten from its seams.
Not counting the latrine, which was just a stall surrounding a hole in the ground that fed into a communal septic system, the house boasted only three rooms. One room served as the kitchen, living room, and dining room. The other two were small bedrooms. The one she shared with her husband, Khalaf, was barely wide enough for the dingy mattress that lay on the dirt floor leaking tufts of cotton. The other was for their son, who slept on a straw mat with only a frayed wool blanket to keep him warm.
She wiped her hands on her robe, satisfied that everything was in order. If Sayyid was right and Khalaf had news to celebrate, he would be in good spirits, and with a special dinner to complete the mood, perhaps she would have a chance to tell him.
She thought of the letter hidden safely under her mattress. Maybe she'd get to visit her friend in America and . . . best not to think about that. Please, Isa, make it so.
She reached for the clay pitcher on the table and poured water into a metal pot. Returning to the stove outside, she slipped the pot into the arched opening where it could boil. Khalaf liked his shai dark and sweet, and for that, the water had to be hot.
... ...
The boy danced around the palm with his arms flailing, balancing the ball on his toe. He flipped it into the air and spun around to catch it on his heel and then kicked it back over his shoulder and caught it on his elbow, keeping it in artful motion without letting it touch the ground. He could continue with the ball suspended in air for hours by bouncing it off various limbs of his body. Soccer was his game. If only they would take him seriously, but that wouldn't happen until he turned thirteen and became a man, and that was still two years away. It didn't matter. One day he would be a champion, with a real ball, running down the field with the crowds chanting his name.
He let the ball drop to the ground, feigning left and right, and scooping the ball under his toes, kicked it against the palm's trunk. Score! His hands flew into the air as he did a victory dance and leaned over to snatch his ball from the ground—not a ball really, just an old sock filled with rags and enough sand to give it weight—but someday he would have a real ball and then . . .
A cloud of blackbirds burst from the field of cane. There was a rustling, then movement. He crept to the edge of the growth, curious, but whatever, or whoever, it was remained veiled behind the curtain of green.
He pushed the cane aside. "What are you doing?" he said, staring at Layla. The shadow of the leafy stalks made her face a puzzle of light.
"Come here," she whispered, drawing him toward her with a motion of her hand.
"No. Why are you hiding?"
"Come here and I'll tell you." Her voice was subdued but also tense, like the strings of a lute stretched to the point of breaking.
"I don't want to play games. You come out. Father's not here to see you."
"We're leaving."
"What?"
"Come here. We have to talk."
"Talk? Why? What's there to talk about?" The boy let his ball drop to the ground. He stepped forward and, sweeping the cane aside and pushing it behind him, held it back with his thigh.
"We have to move. They're packing right now. We have to leave within the hour." Layla's eyes glistened and filled with moisture.
The boy blinked, once, slowly, but didn't respond. He knew. His mother had overheard friends talking. He shook his head. "Then I guess you'd better go."
"My father came here because he wanted to help, but now he says we can't stay. He says we're going to Minya where there are many Christians."
"Then I won't see you again?"
"I don't know. Maybe you will. Father says he can't abandon his patients. He may come to visit, but Mother's afraid. Why do they hate us?"
The boy shook his head, his lower lip curling in a pout.
"Do you think we will marry someday?"
His eyes narrowed. Where had that come from? "Marry? We could never be married. You . . . you're a Christian."
"I know. But that doesn't mean . . . "
"Yes, it does mean! My father says you're an infidel, a blasphemer. If your father wasn't a doctor, they would've driven him out long ago. Father would never let us marry. He hates it when he sees us together."
"That's why I've been thinking . . . " She paused, adding emphasis to her words. "You and your whole family must become Christians. Then we can be married."
"You're talking like a fool, Layla. My family is Saidi. We will never be Christian."
"But your mother's a Christian."
"No, she's not!"
"Is too. I heard—"
"Liar!" The boy clenched his fists. "My dad says all Christians are liars. My mother would never become a Christian. They would kill her."
Layla reached out, took the boy by the collar, and pulled him in, kissing him on the lips. Then she pushed him back, her eyes big as saucers against her olive skin, her eyebrows raised. She shrank back into the foliage. "Sorry, I . . . I didn't . . . I just . . . excuse me. I have to go. I'll pray for you," she said and, turning away, disappeared into the dry stalks of cane.
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