Having never read your novels, I was immediately caught up in the lives of Nina and her family. Can you tell me what inspired this set of characters?
This novel actually started as a short story that appears in
my collection, Out Across the Nowhere. I most often get an image or a line of
dialogue pop into my head and the story forms around it. It's like seeing
something shiny poking out from the dirt and then brushing, digging, pulling
until you get the whole thing up. The
spark for this one was actually a memory inside a memory wrapped around
something fictional. Nina appeared to me as me, inside a Texaco bathroom while
on a trip to Disney world with her family, only she wasn't a child and her
father had died. I thought, wait, that's not me. Who is that? What happened?
And it grew from there. I started to "hear the voices in my head,"
which my mother thought sounded like I might be crazy, but writers know what I
mean. The voices were Lola and Ray, her brother and sister. I also have one
brother and one sister, so the dynamic was familiar, but Lola and Ray are not
my brother and sister. I started writing to find out the story for myself.
That's the fun part for a writer. We don't know what's going to happen either.
What character are you most drawn to in this novel, and
why?
I think my favorite character is Oliver--Father Finley. I
love that he's so human and at the same time so much a source of peace and
comfort representing the church and Christ. I think he's funny and real and he reminds me how
approachable Christ is to us. I like that he represents the ability to have a
very personal relationship with God.
Will there be more stories built around this same
set of characters in the future? Are you
already at work on another story?
Well, actually, this is a stand-alone follow-up to The
Lemonade Year where we first meet all these characters. You can totally
read The Year of Thorns and Honey by itself, but it's actually the second
in a series. And yes, I am already working on book 3! It will likely be a stand-alone
as well, but totally the continuation of this book. I think of them as season on a show--back in
the day before you could binge watch the whole thing on Netflix. You might come
to something in season 2 and be able to follow right along.
Can you share a bit about your own writing process? Do you outline? Do you let your characters
tell the story?
Yes and yes. But the other way around. I let the characters
tell me quite a bit about the story in
their own order and time and then once I think I have a handle on what's
happening, then I start outlining and piecing things together, filling in the
gaps.
How long have you been writing? Tell readers a bit about your journey to
publication.
I have always known I wanted to be a writer. When I was a child, my grandmother used to tell me the continued stories of Hansel and Gretel. They were elaborate and wonderful. I asked her one day what book they were in because I wanted to read them again. She said. "Oh, sweetie, I'm just making these up as I go along." That blew my world wide open. As an eight-year-old, it hadn't occurred to me that anyone could write a story. I already loved to read. Books were my jam. I just didn't know that anyone could write one. I started writing right away. I would get a diary and number all the pages and "write a book."
I wrote all through middle school and then in high school I
discovered boys and forgot about writing for a while. (Ladies, boys are nice
and all, but don't forget who you are.) I came back to it full force in college
when I "sneaked" and took a writing class instead of something more
practical. I was hooked all over again. I started writing short fiction. I took
more and more of those writing classes and after I graduated, I kept working on
the craft. Life moved forward and there were seasons where I wrote more and
wrote less. After my first child was born in late 2001 I really got serious
about publishing. I published my first story in 2006. (This is not a fast
industry.) I published about a dozen more in various journals. In 2012, I had a
collection published. By that time, I was also working on novel length stories.
Most things come to me as short pieces and some of them keep nudging at me to
dig deeper. That shiny object is
sometimes bigger than I think it is. I got an agent in Dec of 2015, Julie Gwinn
of The Seymour Agency, and she has been my champion since then. The Lemonade Year came out in
2018. Now, this one in 2020. She has about four other novels of mine that she's
shopping around and there are more in the works even.
What words of encouragement would you like to share with
your readers?